Figuring out a new workflow and keyboard for Premiere was a bit of a learning curve at first - luckily Premiere was easy to pick up and transition into! What Adobe tools did you use on this project and why did you originally choose them? Why were they the best choice for this project? Garland: One of my biggest post challenges on this was actually re-learning Premiere Pro. Also, it was quite strange to never meet the team in person until the premiere of the film! My team had to be very diligent about constantly updating to a master project so that it did not disrupt the edit, but also so that we all continued to be on the same page. This made relinking things a little tricky. Imani: Challenges that we faced during this project were mostly dealing with organization as we had so much footage and were sending things back and forth from many different sides of the country.
What were some specific post-production challenges you faced that were unique to your project? How did you go about solving them? Working with archival footage is always really fun for me and I enjoyed getting to help Nia, our editor, dig through it all to find the best moments.
Garland: A favorite moment from this project was getting to work with the GoPro footage of Dan and Olivia in the studio making the album. My favorite parts of the film are the more intimate moments like this because we are able to see a different side of Olivia Rodrigo. Being able to catch the making of her song “Brutal” and to see that song writing play out is pretty special because it’s from an extremely rare point of view. Imani: My favorite moments from the film are the archival clips of Olivia and Dan in the studio crafting her album. Tell us about a favorite scene or moment from this project and why it stands out to you. Doing this lets me start to notice recurring themes or interesting images that stand out immediately from the footage. For some documentaries, organizing footage by decade can be just as valuable as by subject matter. Garland: I always like to watch and do selects of all the footage first and try to organize based on what seems most relevant to the project. I find it really helps my mind explore all the possibilities of what can be built. I love to make music pulls prior to editing so that I can watch footage with different sounds underneath. I watch/listen to everything, make markers and selects, and then take notes. Imani: After my bins are organized, and multicam sequences and string outs of all the footage and audio are made, I like to immerse myself in the footage and catch a vibe. How do you begin a project/set up your workspace? Later in college after I realized I would like to edit as a career I purchased Creative Cloud for myself and taught myself Premiere Pro, and from there just picked up more and more skills along the way. Garland: I first learned to edit in high school working on a school assignment to make your own documentary. I worked my way through undergrad, then film school editing everything that I could, and then when I graduated and landed a job as in house editor for a Parkwood Entertainment, I was suddenly immersed in a whole new world of fast paced music and documentary filmmaking that truly shaped my flow and way of being as an editor.
#POSTING DAILIES FRAMEIO TRIAL#
So I just taught myself through tutorials and trial and error, and then began to love it. I was in a beginner film class where no one knew how or wanted to edit, and the challenge intrigued me.
#POSTING DAILIES FRAMEIO HOW TO#
Imani: I taught myself how to edit freshman year in college. How and where did you first learn to edit?
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